Having your photograph taken in a nineteenth century studio didn't necessarily mean you had to look like you were standing in a studio (at least, with a bit of imagination). Usually this was accomplished by backdrops, sometimes with the addition of props. Sometimes a bit of dress-up, too.
For a while Montreal photographer William Notman (whose photographs of people "tobogganing" we've already seen) went one further. Notman was well-known for his composite photographs, where the figures from hundreds of individual photographs were carefully cut out and pasted onto a painted backdrop to create a group picture, which was then re-photographed to create the final product. However, the composite model wasn't restricted to group. A figure or two from a studio portrait could also be cut out, and pasted onto the backdrop the sitter desired.
In very snowy Montreal, apparently a very snowy backdrop was popular. Sitters dressed up in their winter clothes, sometimes even with skates, snowshoes, or curling stones. Fake snow for clothing was also an option.
Musee McCord Museum |
Messrs Crake, 1876. Source
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Mrs. Davidson, 1876. Source
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J. Wilson, 1876. Source
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Mr. Binks, 1876. Source
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C. H. Wade, 1876. Source
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Mrs. Pereira, 1876. Source
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John Fulton, 1876. Source
Musee McCord Museum |
Sir Robert Abercromby and W. Dudgeon, 1876. (Keep an eye out for this background in the images below...) Source
Musee McCord Museum |
Master Wotherspoon, 1876. Source
Musee McCord Museum |
T. Campbell and friends, 1876. Source
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Miss Arnton, 1876. Source
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W. Dudgeon, 1876. Source
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W. K. Ankersmit, 1876. Source
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Mr. Idler, 1876. Source
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Miss Taaffe, 1876. Source
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Miss V. Allan and Mrs. Russel Stephenson, "curling", 1876. Source
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W. Birks' children, 1896. Source
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Mr. Butler and Mr. Hosmer, 1876. Source
Musee McCord Museum |
Mrs. John Moss' children, 1876. Source
1 comment:
love this!
who needs photoshop :-)
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