As we've seen, hand-tinting was a common practice through the 19th and early 20th centuries, when colour photography was non-existent or difficult to access. Tinting can vary from subtle to intense, elegant to garish-- and, honestly, the latter of both pairs are my favourites. The colours of this set are certainly intense, though expertly applied, and certainly sometimes border on the garish. This effect is magnified by the fact many have experienced significant fading of the photograph, affecting the gelatin silver image but not the bright dyes, leading to an often surreal appearance.
The photographs are lantern slides, precursors to film slides, positive photographs on glass meant to be projected. This set was made at the Paris Exposition of 1900, by the fine arts curator of the Brooklyn museum, William Henry Goodyear, and the photographer Joseph Hawes.
The Brooklyn Museum has 271 of this set on the Flickr Commons; I've picked a few that appeal to me, but I recommend a further look!
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| Brooklyn Museum |
An unidentified outdoor view.
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| Brooklyn Museum |
The Palace of Decorative Arts.
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