Having your photograph taken in a nineteenth century studio didn't necessarily mean you had to look like you were standing in a studio (at least, with a bit of imagination). Usually this was accomplished by backdrops, sometimes with the addition of props. Sometimes a bit of dress-up, too.
For a while Montreal photographer William Notman (whose photographs of people "tobogganing" we've already seen) went one further. Notman was well-known for his composite photographs, where the figures from hundreds of individual photographs were carefully cut out and pasted onto a painted backdrop to create a group picture, which was then re-photographed to create the final product. However, the composite model wasn't restricted to group. A figure or two from a studio portrait could also be cut out, and pasted onto the backdrop the sitter desired.
In very snowy Montreal, apparently a very snowy backdrop was popular. Sitters dressed up in their winter clothes, sometimes even with skates, snowshoes, or curling stones. Fake snow for clothing was also an option.
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Musee McCord Museum |
Messrs Crake, 1876. Source
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Mrs. Davidson, 1876. Source
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J. Wilson, 1876. Source
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Mr. Binks, 1876. Source
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C. H. Wade, 1876. Source
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Mrs. Pereira, 1876. Source
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John Fulton, 1876. Source
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Sir Robert Abercromby and W. Dudgeon, 1876. (Keep an eye out for this background in the images below...) Source
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Musee McCord Museum |
Master Wotherspoon, 1876. Source
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T. Campbell and friends, 1876. Source
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Miss Arnton, 1876. Source
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W. Dudgeon, 1876. Source
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W. K. Ankersmit, 1876. Source
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Mr. Idler, 1876. Source
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Miss Taaffe, 1876. Source
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Miss V. Allan and Mrs. Russel Stephenson, "curling", 1876. Source
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W. Birks' children, 1896. Source
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Mr. Butler and Mr. Hosmer, 1876. Source
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Musee McCord Museum |
Mrs. John Moss' children, 1876. Source
1 comment:
love this!
who needs photoshop :-)
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