The days of the accidental double exposure are nearly over. Digital and self-winding cameras have made pretty sure of that. Once upon a time, though, you had to remember to wind the film, or exchange the large-format negative, and of course it's so awfully easy to forget to do that. The results, luckily, are often so awfully interesting. Ordinary photographs are turned surreal through superimposition. Figures become ghosts. Each exposure captures only the scene in front of it, yet the picture created is a scene that was never in front of anyone.
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Biblioteca de Arte-Fundação Calouste Gulbenkian |
Amadeo and Lucie de Souza Cardoso, 1915. Source
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Fylkesarkivet i Sogn og Fjordane |
Double exposure with a 90 degree turn. Norway, ca. 1900-1910. Source
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Library of Congress |
An exterior and interior together, Virginia, 1935. Source
A vegetable cart with a background of trees and buildings at the same time, Virginia, 1900-1910. Source
Australian War Memorial |
1939-1945. Source
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Field Museum Library |
Double exposure of a tropical landscape, Central America, 1899. Source
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Library of Congress |
Captain Templin M. Potts with Japanese Admiral Togo Heihachiro, New York, 1911. Source
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San Diego Air and Space Museum |
A trippy double exposure through a camera gun, ca. 1917. Source
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Library of Congress |
Bryce Canyon, Utah, ca. 1940- ca. 1950. Source
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Library of Congress |
A women's committee, with floating ghost chandeliers, 1920-1921. Source
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Smithsonian Institution |
Artist Jan Matulka and his studio, ca. 1920 (this one is intentional, created after the fact--you can see the original portrait on its own--but looked too cool not to include). Source
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Library of Congress |
H. S. Wells, 1921. Source
Australian War Memorial |
The humourous result of a double-exposed group portrait, WW2. Source
1 comment:
That last one is funny.
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